Tag: Sid Caesar

Sid Caesar’s “Gallipacci” or the Fine Art of Gibberish

POST 442
Monday, April 16, 2018

Sid Caesar (1922–2014), who I worked with VERY briefly (full story here), was one of the truly great American comedians. He was also the King of Gibberish, fluent in faking many a foreign language. I hadn’t seen Gallipacci until Riley Kellogg recently ran across it and clued me in, but it’s already one of my favorite Caesar pieces. And what an ensemble! That’s Nanette Fabray as Pagliacci’s wife, who in fact had opera training at Juilliard (despite a serious childhood hearing problem). Carl Reiner, partner to Mel Brooks and father to Rob, is the rival. And Howard Morris is the elfish Vesuvio. The score is —shall we say?— eclectic.



Hey, there is a lot of good sketch comedy these days on TV and elsewhere, but you would be hard pressed to find anything as ambitious and accomplished and, dare I say, as feckin’ brilliant as this.

Hard to believe, but…

•  In real life, Caesar spoke only English and Yiddish
• This piece is thirteen and a half minutes long, and in those days Caesar’s show was on for 39 episodes a year. Compare that to today’s television “seasons” and the complexity of today’s sketches.
• In 2007, an 85-year-old Caesar hobbled onto the stage of the tv improv show Whose Line Is It Anyway? to do battle with Drew Carey in a game matching skills at foreign language “double talk,” and proceeded to run gibberish circles around the younger comedian.

I’m in Torino, so I showed this piece to Italian clown compatriots Angela Delfini and Giuseppi Vetti, curious as to how it would work for them, what with them actually speaking Italian and all. They laughed a lot, and it got me to thinking that I’m familiar with all sorts of non-English gibberish, but there must be gibberish versions of English that I haven’t heard. And of course there are. One of the most famous of these was Prisencolinensinainciusol, an Italian version of English by Adriano Celentano. (Full history here.)


 I must say there have been actual American rock songs that I didn’t understand much more of.

And of course anyone with any clown or improv training has probably played gibberish games, which can be a very funny way of animating expression without depending on actual language. You can find a list of some of these here.

UPDATE:  Kendall Cornell just reminded me of this amazing woman who does gibberish in twenty plus languages remarkably well.

SHARE
EXPLORE FURTHER

Gibberish (Say What?)

POST 372
Friday, April 11, 2014

Gibberish — the sort that imitates a foreign language without using its actual vocabulary — is the physical comedy of words. Stripped of their dictionary meaning, words become physical actions, all sound and movement, intonation and rhythm. Gibberish has made for some great comic bits as well as some useful improvisational exercises. Viola Spolin, in her seminal work Improvisation for the Theatre defines gibberish as “meaningless sounds substituted for recognizable words so as to force the players to communicate by physicalizing” — and she includes several gibberish exercises.

As some of you may have already guessed, this post was inspired by our favorite Finnish supermarket cashier, the quite brilliant Sara Maria Forsberg….
 

Ten million YouTube hits (which is more than this blog gets in a whole month) landed her a guest appearance on the the Ellen DeGeneres Show and this interview on BBC Radio.

Perhaps the best gibberish comedian was “my father” Sid Caesar. His one-sided duel with Drew Carey on Whose Line Is It, Anyway? has been yanked from YouTube, but here’s his classic German General:

Obviously you have to have an ear for this, and it’s probably better to not actually speak the language. Forsberg speaks Finnish, Swedish, and English; Caesar spoke English and Yididsh. That’s it.

And then there’s double talk, a close cousin of gibberish (scat singing and the auctioneer’s chant are both distant cousins). Double talk is a traditional comedy form that pretty much sticks to actual words, suckering you in, but then quickly transitions from sense to nonsense. Here’s one of the old masters, Al Kelly, on The Ernie Kovacs Show (NBC, 1956).

And to bring it up to date, here’s a modern multimedia genius, Reggie Watts, incorporating gibberish into his own unique blend of… of… well, of pretty much everything. Or as one critic put it: “It’s hard to say what Reggie Watts is. He’s not a comedian—at least not in the traditional sense of someone who stands on a stage and tells jokes. He’s also not a musician in the traditional sense. He is, however, both of those things when he performs. He creates symphonies from scratch on stage, using nothing but a loop pedal and his own voice. He plays with language, often spewing out nonsensical run-on sentences while shifting accents and languages—he might start as a valley girl, slowly meld it into a British accent, then, seamlessly, begin speaking German. There is rarely a punch line, but that’s kind of his thing.“

Thanks to my son Nat Towsen for this link. (Reggie has been on his show several times!)

SHARE
EXPLORE FURTHER

Sid Caesar (1922–2014)

POST 356
Wednesday, February 12, 2014

The king is dead. You can read the whole NY Times obituary here and my personal reminiscences and tribute here. Long live the king — on DVD, streaming video, and technologies yet to be invented!

SHARE
EXPLORE FURTHER

Sid Caesar Was My Father

POST 249
Wednesday, March 7, 2012

And Imogene Coca my mother. But only for a day or two, and not as publicly as I might have liked.

The year was probably 1958, and Sid Caesar’s comedy-variety show, which first came to fame as Your Show of Shows, was back on NBC, though under a different name. With co-stars such as Imogene Coca, Carl Reiner, and Howard Morris collaborating with a writing team that featured such not-yet-famous names as Mel Brooks, Neil Simon, Larry Gelbart, and Woody Allen, Caesar was a 1950s television comedy trailblazer, and he did it with 39 live episodes a year.

As a child actor on New York City television, nine or ten years old at the time, I was cast in a sketch for the show. Not exactly a starring role: I was to play one of a dozen or so children of Caesar and Coca. All I remember was that it was a chaotic family dinner scene around a long table, and that the first rehearsal may have been the day before, more likely just the day of. Unfortunately for my bragging rights, the sketch apparently never jelled to their satisfaction and was canned hours before that week’s show went on the air. Such was live television.

Mom and Dad

Sid Caesar will turn 90 this September 8th, but since I recently found myself again marveling at his old clips, I decided to jump the gun and celebrate dear old dad’s birthday with a post highlighting some of his physical-ish comedy. While Coca started out in vaudeville as a child acrobat, Caesar didn’t have a physical comedy background nor the movement vocabulary of a Chaplin or Keaton. However, many of his skits escalated to a level of chaos where bodies start getting flung all over the place, with hilarious results. These are all classics, but I’m sure a lot of you haven’t seen them, and even if you have, well, not watching them again would be an insult to our family.

First up is This is Your Story, a parody of the This is Your Life tv show, in which raw emotion is converted into raw physical action faster than you can say “Uncle Goofy.” That’s Carl Reiner as the host and Howie Morris as the over-affectionate uncle.

Caesar was also an accomplished musician, having played sax with Benny Goodman before making it as a comedian. In Three Haircuts, Carl Reiner, Howie Morris, and Caesar parody the pop stars of the 50s with “You Are So Rare” and “Flippin’ Over You.” The second piece has some truly athletic moves.

Here he joins Nanette Fabray for an elaborate and often brilliant pantomime of a husband and wife quarreling to the score of Beethoven’s Fifth Symphony.

Slower paced was The Clock, but it provides a good lesson in building a gag.

Even when he’s not at all physical, Caesar doesn’t need intelligible dialogue to get a laugh. In 2007, an 85-year-old Caesar hobbled onto the stage of the tv improv show Whose Line Is It Anyway? to do battle with Drew Carey in a game matching skills at foreign language “double talk,” and proceeded to run gibberish circles around the younger comedian.

Just for the record, the only languages Caesar actually speaks are English and Yiddish.

Happy 89½ birthday, pops!

Some Links:
A Charlie Rose interview with Caesar.
The official Sid Caesar web site.
Caesar’s Hours: My Life In Comedy, With Love and Laughter, Caesar’s “artistic autbobiography.”

SHARE
EXPLORE FURTHER
Check out My New Book

Visual and verbal humor for the cognitively and artistically curious!

“A book to treasure!”
—Bill Irwin

Upcoming Events